The Obligatory ‘Star Trek: Deep Space Nine’ Blog Entry.
Last Christmas, my long-suffering husbaloid bought me the complete ‘Star Trek: DS9’ DVD box set. I’d just finished trawling my way through the variable delights of ‘The Next Generation’; seven seasons watched pretty much back-to-back and becoming more a way of life than a television programme. I watched a lot of TNG in my misspent youth, and was fairly familiar with the characters and the general direction of the show. DS9, however, sort of passed me by. I remember it being on, but nothing about it really grabbed me at the time.
Many people since have extolled the virtues of DS9 and tried to convince me I was missing out, but it was only when presented with the box set that I relented and decided to give Captain ‘Baldy’ Sisko and his companions a fair hearing.
I have to admit, I found the first three seasons extremely hard going. It had none of the compulsive qualities of TNG, and I failed to really latch on to any of the characters emotionally aside from perhaps Major Kira. The story lines seemed featherweight, inconsistent and (quite an achievement) even sillier than some of TNG’s early season offerings. To put it bluntly I wasn’t terribly impressed. By the time I’d struggled into season four, despite the appearance of TNG mainstay Worf, I’d grown weary of it altogether and I put it to one side. I watched seasons 1-7 of Buffy for about the fourth time, in the space of about 2 months. Now *that’s* some compulsive viewing, right there.
Eventually (probably motivated by a little bit of guilt-tripping about unwanted gifts from @re_mute) I dipped back into DS9. I guess I just missed the universe, or maybe even the characters without realising. Whatever the reason, I soon found myself hooked in a way I had not expected. Whether there was a change of writers or showrunners I don’t know, but it suddenly seemed to get good.
Kira Nerys is definitely my favourite thing about the whole series. She’s smart, she kicks ass, she’s unwaveringly and unashamedly spiritual, she takes no shit from anyone. I could watch her all day long.
The most surprising thing for me though was how much I grew to love Worf, son of Mogh. I liked him fine on TNG, but I don’t remember them using Dorn’s excellent comic timing and hilarious facial expressions to such wonderful effect, the way they did on DS9. Worf became the character that made me laugh (and cry) the most overall. I loved him with Jadzia Dax, and his uneasy relationship with Ezri Dax in the final season was wonderfully played.
As with the whole modern Star Trek franchise, DS9 seemed to attract wonderful character actors. Garak (Andrew J. Robinson), Martok (J.G. Hertzler) and Gul Dukat (Marc Alaimo) are all outstanding, but my favourite of the recurring guest stars has to be the magnificent Jeffrey Combs as Weyoun. Combs steals every single scene in which he appears, often elevating the show far above what it would have been without him. Also: he rocks purple contact lenses like no one else.
I’m sad it’s over. We’ve started watching ‘Star Trek: Voyager’ by way of compensation, but the ‘Dungeons & Dragons’ nature of the series arc (i.e. ‘They need to get home. Here’s a chance for them to get home! Oh it didn’t work. Next episode…’) pissed me off at the time and shows no sign of doing otherwise this time around. Maybe it gets better. I’ll stick with it, as I ended up doing with DS9.
One thing is for certain - there’s no way DS9 would get made in today’s cut-throat TV world. A show barely gets four episodes to hit its stride these days, never mind four seasons. It’s a shame. Makes you wonder where something as beautiful and complex as ‘Firefly’ could have ended up if given four years’ breathing space.